Winston 'Niney' Holness, A.K.A. The Observer, must be one of reggae's
finest Roots Rebel producers.Capable of making some of the heaviest, innovative
music, not only in sound but also in the Cultural / Political sense. Born
George Boswell, Montego Bay, Jamaica,1951,and name checked 'Niney', due
to losing a thumb in a workshop accident.He began his career in music
by organising bands to play at school dances.
But his first steps learning the musical ropes came working under the
tutor ledge of producer Bunny Lee around 1967, organising sessions for
Bunny's stable of artists.He moved on to work alongside Lee Perry at Joe
Gibb's 'Amalgamated' label setup, where on Lee Perry's leaving in 1969
to start his own 'Upsetter' label,Niney became chief engineer.
Inspired by Perry's success it wasn't long before his own 'Destroyer'
label was under way. It was 1970, and his first production entitled 'Mr
Brown' by DJ's Dennis Alcapone and Lizzy, proved to be a minor hit,but
his own 'Blood and Fire' track released in December of that year would
become a major hit.After initial problems with it's likeness to Bob Marley's
'Duppy Conquer', being ironed out , it's reissue on his now named 'Observer'
label, saw it go on to become, Jamaican Record of the Year 1971. Far out
selling Bob Marley's track to the tune of over 30,000 copies in Jamaica
alone.A roots classic...
Niney's reputation for building great roots tracks, was furthered with
more success working with singer Max Romeo.Issuing cuts such as 'Beard
man Feast', the great 'Reggae Matic' and 'Aily and Ailaloo' and renewing
his relationship with Lee Perry on the track 'Rasta Band Wagon' who's
production credit read Perry, Niney,Maxie.
In 1973,Niney began working with Dennis Brown,who was already an established
star from an early age, they found a chemistry that went on to produce
some of Dennis's finest work.The 1973 hit 'Westbound Train' was followed
in 1974 by 'Cassandra', 'I am the Conqueror' and the timeless 'No more
shall I Roam'.Another important connection around this time was the great
King Tubby who Niney would take his tapes along to and even record some
of his tracks at Tubby's house, 18 Drummlie Avenue, Kingston, which doubled
as his Studio of Dub.
It's these tracks that we are concentrating on here.Tubby would strip
the tracks back to the bone and rebuild them sometimes leaving off the
hook line. Weather that be the horn line or keyboard line and adding effects
over the top that could disguise the cut even more.Even Niney stating
that when Tubby had finished with a cut, he found it hard to recognise
the track himself.
It's these tracks as dub plate specials that Tubby would play on his
Hometown HI - FI Sound System and it's these such tracks that we have
compiled for this release.
Dub Plates that have not seen the light of day since tragically the great
Osbourne Ruddock A.K.A. King Tubby was gunned down and murdered on the
6th December 1989.For a few dollars and a gold chain, reggae music has
lost one of it's most inventive, creative forces.
Niney also cut tracks with many other reggae giants, Gregory Issac's,Michael
Rose,Junior Delgado,Horace Andy,Delroy Wilson to name but a few. As in
house producer at the legendary Channel 1 studio's and supervising sessions
at Dynamic and Randy's Studio17, his magic touched many.DJ, Arranger,Producer,
his Roots Rebel Music still stands the test of time.
© Respect Jah Floyd.
1.SET DUB FREE.
An unreleased dub cut to the former Black Uhuru vocalist Michael Rose's
'Freedom'.
2.LATELY DUB.
A lost dub to Niney's and Dennis Brown's 'Lately Girl'.
3.DUB WITH TUBBY.
A dub cut to Dennis Brown's 'Westbound Train'. The track was originally
cut at Bunny Lee's studio when it
was still owned by Joe Gibb's, and King Tubby cut five versions. This
is the exclusive slow cut.
4.DUB EXCLUSIVE.
A rare dub to Dennis Brown's 'I am the Conqueror'.
5.IN LOVE WITH DUB.
A lost till now dub cut to Michael Rose's 'A love between us'.
6.NO MORE DUB.
An unreleased dub cut to Niney's and Dennis Brown's 'No more will I Roam',this
is an alternative version
that features a different bass line.
7.HERE COMES DUB.
A rare dub to Dennis Brown's 'Here I Come'. A classic that features Sly
And Robbie on drums and bass.
8.TENEMENT DUB.
Originally cut at Randy's Studio 17, this is a rare King Tubby dub to
Dennis Brown's 'Down in the Tenement Yard'
9.SWALLOW FIELD AND DUB.
This is the original rhythm that The Mighty Diamonds came down on and
made their all time classic 'Right Time'.
The rhythm was cut by everyone from Larry Marshall's 'Mean Girl', Junior
Byles 'Sugar Sugar' and Big Youth
amongst others. This is a raw instrumental Tubby cut..Nice!!!
10.DUBBING WITH SALLY.
A rare dub to Delroy Wilson's 'Sally Baby'. The track was named after
a girl that worked at
Randy's studio and record shop .This is a King Tubby mix...So this one's
for Sally....
11.DARK SIDE OF DUB.
A rare dub and one of four different versions cut. The track was titled
'Out of Darkness' although Max Romeo cut a version and called it 'This
was Love'...
12.DUB IN SILVER.
A rare dub to Dennis Brown's 'Silver Words'.
13.TRUTHFUL DUB.*
Niney cut this track with the Soul Syndicate band and Max Romeo cut a
vocal version.
This is the raw instrumental dub cut by King Tubby.
14.DUB BORN HERE.*
Last but not least a rare Tubby dub cut to 'Rasta No Born Yah'.The vocal
cut featured Sang Hugh... enjoy...
*CD Bonus Tracks
Recorded at ; Channel 1, King Tubby's, Randy's Studio 17.
Produced by ; Bunny Lee
All Titles published by Striker Lee Music Manufactured under Licence from
E. Lee.
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