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| DENNIS
BROWN - TRIBUTES |
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Sunday,
July 18, 1999 Published at 12:07 GMT 13:07 UK
Reggae star's musical funeral
The funeral
was marked by musical tributes

Thousands of people danced to reggae music on the streets
of Kingston to mark the
funeral of Dennis Brown, the singer who took over from Bob
Marley as Jamaica's
"Crown Prince of Reggae".
The dreadlocked singer, who was one of the best loved and
most influential exponents of the genre, died on 1 July from
pneumonia after years of illness. He was 42.
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| Fans
queued to pay their respects |
Born in Kingston in 1957, he was seen as a child prodigy in
the 1960s and went on to record many hits, including How Could
I Leave and Here I Come. Despite a national outpouring of grief,
Brown's funeral was an event marked by music and dance.
Crowds packed into the National Arena to watch a live tribute
concert. Brown's five sons were among the performers, as well
as reggae artists Maxi Priest and Shaggy.
Prime Minister PJ Patterson described Brown's music as "a sweet
song and soothing balm for our nation."
Brown became the first entertainer to be buried at Kingston's
National Heroes Park. In the two days before the funeral,
more than 10,000 mourners spent hours filing past the casket
where Brown lay.
Brown rose to prominence in the 1970s wave of reggae singers,
that included Bob Marley. He released more than 50 albums.
His first hit song was No Man is an Island - which he recorded
in 1969 at the age of 12.
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July
3, 1999
Thanks for the music, Dennis Brown
DENNIS Brown was only 42 when he died on Thursday morning
at the University Hospital of the West Indies. Few younger
Jamaicans may have realised Dennis Brown's relative youth;
older ones would have reminded themselves of the fact. They
would have to recall that Dennis Brown was once called the
Boy Wonder; that he was a pre-teen when he began thrilling
Jamaican popular music audiences three decades ago.
Over the next several weeks, and in the months to come, many
will eulogize Dennis Brown for his singing; reflecting on
his smooth mellow style and his vocal range. Many will agree
with producer Mikey Bennett's assessment that Dennis Brown
was "the best thing that ever happened to a reggae song".
Even if he wasn't, he came pretty close to it.
He may not have had the crisp clear voice of John Holt, the
infectiousness of that other rock steady great, Alton Ellis
or the unrestrained charisma of Bob Marley. But there is an
inviting silkiness about a Dennis Brown song that incites
romance, yet at times there is melancholy. The same Dennis
Brown may swing from the deceptive ease of Silhouettes to
the unrestrained urgency of a song like Revolution,becoming
the social firebrand ready to take up arms on behalf of the
people.
Life is often full of what-ifs and what-may-have-beens. So
there will be the questions of why Dennis Brown, for all his
talent and prolific output, did not achieve the international
recognition of a Marley or even a Jimmy Cliff. There are things
that he might have done differently to ensure the breakthrough
that would have moved him, in public perception, beyond that
status of king in waiting.
But Dennis Brown's legacy will be more than today's fame.
For his greatness includes something very few entertainers,
and more so purveyors of popular culture, are ever able to
achieve. He remained popular and current for 30 years, from
the rocksteady days of Sir Coxone Dodd's Studio One through
the revolutionary reggae era of the 1970s and into the 1990s,
when he still held audiences with his special blend of lovers'
rock.
He transited it all without ever compromising his role as
a serious musician.
Dennis Brown will no longer weave his spell of vocal magic
on the stages of Jamaica and elsewhere in the world; but happily
he has been captured for eternity on compact discs and vinyl
recordings. Thanks for the joy you provided, Dennis Brown.
Jamaica
Observer
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News of the sudden death this morning of reggae superstar Dennis
Brown,
popularly called the Crown Prince of Reggae has rocked the local
entertainment industry.
Early reactions were gathered by THE STAR from persons who knew
the boy wonder
who started his career at age 12, and developed his craft, to
be dubbed unofficial "Crown Prince ."
Derrick Harriott, who was Brown's first producer back in the
'60s described him as,
"One of the greatest exponents of reggae music." He
said Brown, whose last public performance locally was in December
at the Best of Heineken Startime, was always smiling and never
shrugged off anyone. Michael Barnett, promoter of the Heineken
Startime series,
in remembering Brown said this: "Next to Bob Marley
this is the greatest loss for the Jamaican music industry.
I don't think we will see a second to him in our lifetime."
The promoter said he had been working with Brown on a project
and later this evening they were to have done an interview and
photo shoot."He is a man that always delivers. It is unfortunate
that this time he couldn't deliver physically, but I am sure
he will be there in spirit," he said.
Barnett said at the time when he heard the news of his death
he was listening to
Brown's album 'Inseparable' which was being played by his neighbour.
Local singer Richie Stephens said he had always seen Dennis
as one of the greatest reggae artistes. "He has always
been my idol, the person I wanted to sound like, to be like
and wish to meet," Stephens said. He said when he met Brown
he came to know that he was a great person- humble, respectable
and kind. "Reggae
has lost a great asset, may his soul rest in peace," Stephens
said. Jamaican
Gleaner
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Dennis Brown, 42, Reggae Singer
With an Enduringly Sweet Style
By NEIL STRAUSS
Dennis Brown, a popular and prolific Jamaican reggae singer,
died on Thursday at University Hospital in Kingston, Jamaica.
He was 42. The cause was respiratory failure, said a spokesman
for Heartbeat Records, which has released several of Brown's
albums.
Born in Kingston, Mr. Brown had already perfected his sweet
singing style and had his first reggae hit by the time he
was 12, with the single "No Man Is an Island," recorded
at Studio One. He soon began branching out, working with producers
like Winston (Niney) Holness and Joe Gibbs, with whom he recorded
many of his most popular songs.
Known for his gentle, beseeching voice -- one of the best
of his generation -- he mixed soulful love songs with universal
pleas calling for peace and harmony. As reggae trends changed
from lovers' rock to dance-hall to digital music, Mr. Brown
floated easily into each new style. His many hits included
"Westbound Train," "Baby Don't Do It,"
"Ghetto Girl" and "The Look of Love."
He had several hits in Britain, including "Money in
My Pocket," and in the early 1980's signed with A &
M Records and lived for several years in London. Nicknamed
"Emmanuel, the Crown Prince of Reggae," Mr. Brown
recorded more than 50 albums. This year alone he had already
released three records, with a fourth on the way, each one
for a different independent label. He was nominated for a
Grammy Award for his album "Light My Fire," released
in 1994.
"I was once young and now I'm old," he sings on
one of his albums from this year, "Bless Me Jah."
"And through all the changes in life, mankind has grown
cold/Where is the love and happiness that we ought to share?"
He is survived by his wife, Yvonne, and 13 children, according
to Radio Jamaica.
New York
Times
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The Dennis Emanuel Brown Trust
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4
Latham Avenue, Kingston 6
Telephone (876) 960 0697 - Facsimile (876) 946 1838
Website - dennisbrowntrust.com
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| Objectives
The Dennis Emanuel
Brown Trust has the following objectives:
- to help alleviate poverty through creating and enhancing
educational opportunities
- to ensure the maintenance and advancement of the memory
of the life and works of
Dennis Emanuel Brown
- to assist in the procurement of musical instruments that
will enable the development of an appreciation in students
of the performing arts and see themselves as contributors
to the Jamaican culture
- to provide opportunities that will allow for educational
empowerment and the development of skills that are needed
by citizens of the 21st century
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1970-74 |
1975-76 |
1977-79
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1980-90
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1991-99
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2000
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| DENNIS
BROWN - TRIBUTES |
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Last
Update -
25/02/07 7:40 PM
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